03 4 / 2013

i-mpickingupthepieces:

oxboxer:

peabug:

you did it kids you climbed the whole dang mountain

single tear

tear turns into diamond

Yeah, cool animation.  I’m gonna say it cause I haven’t said anything about it yet:

Yay, we get to see more objectified women.  I’M SO EXCITED :| *Sarcasm*

30 3 / 2013

Anonymous asked: just so you know, you didn't actually sign a contract with CI. I work there, and while we hope that you continue sponsoring forever, you really can stop payments at any time, even if it hasn't been 2 years.

I pulled out the thingie I signed, and you’re right, it doesn’t say that I am required, just that I intended to pay for a minimum of two years.  I might have to stop eventually (with school and yoga and therapy), but for now I will keep sponsoring. 

18 2 / 2013

lenny-tree:

look back

lenny-tree:

look back

(via rainstormostars)

23 12 / 2012

lenny-tree:

look back

lenny-tree:

look back

(via nicoception)

23 12 / 2012

10 12 / 2012

celestedoodles:

My Christmas card design this year. I gave myself 15 minutes to make something cute with a lame Christmas clip art font. 

celestedoodles:

My Christmas card design this year. I gave myself 15 minutes to make something cute with a lame Christmas clip art font. 

10 12 / 2012

ex0skeletal:

by GunnerRomantic on deviantart

(via betaminshitto)

09 12 / 2012

betaminshitto:

hurk have some more onis this time wearing a bit more traditional japanese clothes (I still have no idea what’s going on in the second pic i just wanted to draw a butt). Also some dragons. 

09 12 / 2012

patloika:

This guy is amazing.

JFC

(via betaminshitto)

09 12 / 2012

kankiri:

ghoulsandmonsters:

How to Make a Ghost

are you satan

(via daishiku)

09 12 / 2012

spicyobsession:

thehawkeyeinitiative:


ARE WE FEELING SEXUALLY LIBERATED AND EMPOWERED ENOUGH YET?
Submitted via email by Lauren Armstrong

I FOUND A WINNEEEEEEER
AHAHAHAHAHAHAHAHOSADL

The hawkeye initiative is the best idea anyone has ever had ever.  Who was/were the person/people who came up with it?  I have to kiss them.

spicyobsession:

thehawkeyeinitiative:

image

ARE WE FEELING SEXUALLY LIBERATED AND EMPOWERED ENOUGH YET?

Submitted via email by Lauren Armstrong

I FOUND A WINNEEEEEEER

AHAHAHAHAHAHAHAHOSADL

The hawkeye initiative is the best idea anyone has ever had ever.  Who was/were the person/people who came up with it?  I have to kiss them.

(Source: thehawkeyeinitiative, via youngbadmangone)

09 12 / 2012

“500 years ago, there was a boy gathering herbs in the mountains. He was so focused on his search that he soon found himself at the Sacred Barrier.”

“He could see many herbs growing just beyond the Sacred Barrier. The grown-ups had always told him to never, ever go past the Sacred Barrier. Or, if he really had to, to go with an adult.”

“He saw an Ogre coming towards him. The Ogre was trying to follow him back to the village. He had to do something. If the Ogre followed him home, the village would be wiped out. What could he do?”

“I don’t care about my own life. Just please, keep the Ogre from the village.”

“No Ogres have appeared since that day.”

(Source: lemedy, via betaminshitto)

09 12 / 2012

clackworthy:

cparris:

nychtovesi:

alldaycaturday:

otomemachine:

pettyartist:

crunchtastic:

Don’t Throw Away Your Markers

“This is just a quick and simple tip for artists who use markers to color their work. Refilling your own markers can save you money, and it’s easy to do.”

how does this not have more notes!

AUHUGHUDFIGDHF

oh my god

OH MY GOD

I still have my tub of Prismacolors from high school. Oooooh.

!!!!!!!! this is like the time i found out you can cook pasta in a saucepan and it takes like 3 minutes instead of 10 or whatever

why did nobody TELL ME

(via darkchibishadow)

09 12 / 2012

ctfo:

coneyartinstitute:

ryanestradadotcom:

Do it wrong.
Cartoonists, writers, musicians, actors, filmmakers, we all get the same questions. And we all have boring, stock answers like ‘draw every day’ or ‘practice a lot’. Sometimes it’s because we don’t know what we did right. But the real reason is that every bit of advice we give you has an expiration date. The world of art is always changing. The things people like, the way those things are distributed and sold is always changing. By the time you put in all that practice to get good at what someone else told you is the way things are done, they aren’t done that way any more. The only sure way to become great at what you do is to break the rules. Not for the sake of being a rebel, but so that you can make something only you can make, in a way only you can make it. If you do something wrong well enough, it becomes the new right. So here are 5 steps in the right way to do it wrong.
STEP 1: Practice
To become a good artist:
Focus on making perfect art. Don’t show weakness. Use the tools that everyone else recommends. If you can’t draw hands, put them in pockets. If you can’t draw feet, crop them off the page. If you’re not very good at an instrument, play something easier. If you’re not knowledgable in a subject, write about something else.
To become a great artist:
Just make a bunch of crappy art. Do things wrong. Trust me, even the art you think is great, give it a few years and you’ll think it’s crap. So you might as well shoot for the moon. Grab tools that no one else has ever even imagined using, and see what happens. Draw everyone on horses even though you know the legs are going to come out all weird. Perform that long, flowery monologue you know you’re going to forget the words to. Film that science fiction epic even though the only creature effects you can afford are sticking Halloween stuff on your cat. Doing things you know you can’t do well so that you can do them later is the whole idea behind exercise.
STEP 2: Taking criticism
To become a good artist:
Show your only your best work to people you trust. Enjoy the praise, and ignore the haters.
To become a great artist:
Share your work with everyone, even the jerks. Put it online, show it to strangers. Show them the stuff you’re proud of, and the stuff you’re not sure of. When you show just your average art, people have nothing to say, so they just give you empty praise. But show them something that can be improved, and they’ll tell you about it. The stuff they tell you is gold. Don’t just be disappointed, write that crap on a post-it and put it above your desk. Think about it when you work. Each and every one of them gave you a free mini art lesson.  If they were dicks about it, that makes them a bad teacher, it doesn’t make you a bad artist. There’s a very good chance that they are wrong. But thinking about what they said, and why you disagree with it, helps turn that problem into a technique. Sifting through critiques is like panning for gold. Sift through the muck of poor wording and trolls to your own little takeaways. Write it on a post-it note and put it above your desk. Think about it while you draw. Use it.
STEP 3: Improving
To become a good artist:
Did you try something new and get a bad reaction? Oh no! Listen to the advice people give you and take that element out of your work. Make something people like.
To become a great artist:
Did you try something new and got a bad reaction? Awesome. There are two reasons that people say negative things about your art: because they see something worth improving, or because you’ve somehow struck a chord. Either way, you made them feel something. Figure out how you did it, and how best to use that skill. Did something you did make someone angry? If you offended or hurt someone, you now know how to avoid doing that in the future. But if you made someone feel something about the story or characters, you now have a skill that you can hone and use as a tool at a better point in the story. To make people angry, sad, happy, uncomfortable, or in any way emotional when looking at your work is a skill that few have because we’re so used to beating it out of our work. Many people compensate for this by adding shock value. You can learn to do it with emotion.
STEP 4: Dealing with rejection
To become a good artist:
Find out where art like yours is being published. Submit to them! Rejected? That’s too bad! Try again! Send them your new stuff every year! Never give up! One of these years, it will all work out!
To become a great artist:
Getting rejected is great! When you get a rejection letter, you aren’t losing a job, you’re gaining one. Finding a venue and an audience is now up to you, which is great, because if you’re successful, you’ll be the one getting rich from your work. All of those places were created because someone needed a new place to put a different kind of work. You’re now in the same boat.
STEP 5: Building a career
To become a good artist:
After a lot of practice and study, take all the advice people have given you, follow their lead. Make something you know will be successful, put it in all the right venues.
To become a great artist:
Do it wrong. Don’t do it right just because of all the people around you who say ‘that’s not art,’ ‘that’s not music, ‘there’s no money in that,’ ‘it’s not a real book unless it’s in print,’ etc.  Some of those people will be your heroes. Every generation hates the next generation’s music. Every generation of artists thinks the next generation are hacks. Following the leader is a good way to make art that pleases people in the moment, but doing something that breaks all of the rules is the way be the leader and make something historic. Tell a story only you can tell in a way only you can tell it. When you see a piece of new technology, a piece of ancient technology, an interesting bit of trash on the street and think ‘I could put art on that’, then put art on that. You’ll be reaching new people in places no one else is even trying. There’s no money in ANYTHING until someone puts something great on it. When someone tells you you’re doing it wrong, that’s your clue that you’re doing something that could change all of the rules, and a few decades from now, your style will be the one someone’s drilling into a beginner’s head, and that beginner will be coming to you for advice. Feel free to tell them what you did right, but be sure to also tell them: Do it wrong.

I’ve always subscribed to the manta, do that thing you wanted other people to do but they aren’t doing. But this is pretty good too.

“Failure” has become one of my favorite words lately. Why?
I run into this mentality from self-proclaimed “non-artists” all the time and they ask me how I do it. The common denominator is always something like “if I know I won’t be able to get it just perfect on the first try, I might as well not try at all”.
Except the terrible secret here is that MOST EVERY HUMAN IS CAPABLE OF DRAWING. Illustration is no different from written language in the sense that it is something you have to work at and learn. It IS, however, different from language in that drawing is not given the same academic attention K-12 so only people who work at it on their own (or have so-called “talent”) end up progressing past a basic level. Then when they see someone proficient in drawing, non-artists are in the same position as someone who is ILLITERATE. That is what they are feeling.
But once you recognize the situation as it is, you can take two different approaches. Either decide you can live your life without that form of communication and make peace that (instead of feeling bad about it). OR realize that drawing is like the 6th sense of academic subjects, it can be learned just like any other subject if you try. If you can operate a computer well enough to read this, than you have the capability to draw!
So if you want to get better at drawing, FAIL FAIL FAIL FAIL FAIL. Draw the word “FAIL” in nice big ornate letters and frame that sucker. Then start practicing and experimenting and doing trial-by-error to accomplish whatever cool visual ideas you cook up in your head. Two of my favorite quotes on the subject which form a wonderful motto:
“Failure is proof that you’re trying” so “Fail your way to success”

ctfo:

coneyartinstitute:

ryanestradadotcom:

Do it wrong.

Cartoonists, writers, musicians, actors, filmmakers, we all get the same questions. And we all have boring, stock answers like ‘draw every day’ or ‘practice a lot’. Sometimes it’s because we don’t know what we did right. But the real reason is that every bit of advice we give you has an expiration date. The world of art is always changing. The things people like, the way those things are distributed and sold is always changing. By the time you put in all that practice to get good at what someone else told you is the way things are done, they aren’t done that way any more. The only sure way to become great at what you do is to break the rules. Not for the sake of being a rebel, but so that you can make something only you can make, in a way only you can make it. If you do something wrong well enough, it becomes the new right. So here are 5 steps in the right way to do it wrong.

STEP 1: Practice

To become a good artist:

Focus on making perfect art. Don’t show weakness. Use the tools that everyone else recommends. If you can’t draw hands, put them in pockets. If you can’t draw feet, crop them off the page. If you’re not very good at an instrument, play something easier. If you’re not knowledgable in a subject, write about something else.

To become a great artist:

Just make a bunch of crappy art. Do things wrong. Trust me, even the art you think is great, give it a few years and you’ll think it’s crap. So you might as well shoot for the moon. Grab tools that no one else has ever even imagined using, and see what happens. Draw everyone on horses even though you know the legs are going to come out all weird. Perform that long, flowery monologue you know you’re going to forget the words to. Film that science fiction epic even though the only creature effects you can afford are sticking Halloween stuff on your cat. Doing things you know you can’t do well so that you can do them later is the whole idea behind exercise.

STEP 2: Taking criticism

To become a good artist:

Show your only your best work to people you trust. Enjoy the praise, and ignore the haters.

To become a great artist:

Share your work with everyone, even the jerks. Put it online, show it to strangers. Show them the stuff you’re proud of, and the stuff you’re not sure of. When you show just your average art, people have nothing to say, so they just give you empty praise. But show them something that can be improved, and they’ll tell you about it. The stuff they tell you is gold. Don’t just be disappointed, write that crap on a post-it and put it above your desk. Think about it when you work. Each and every one of them gave you a free mini art lesson.  If they were dicks about it, that makes them a bad teacher, it doesn’t make you a bad artist. There’s a very good chance that they are wrong. But thinking about what they said, and why you disagree with it, helps turn that problem into a technique. Sifting through critiques is like panning for gold. Sift through the muck of poor wording and trolls to your own little takeaways. Write it on a post-it note and put it above your desk. Think about it while you draw. Use it.

STEP 3: Improving

To become a good artist:

Did you try something new and get a bad reaction? Oh no! Listen to the advice people give you and take that element out of your work. Make something people like.

To become a great artist:

Did you try something new and got a bad reaction? Awesome. There are two reasons that people say negative things about your art: because they see something worth improving, or because you’ve somehow struck a chord. Either way, you made them feel something. Figure out how you did it, and how best to use that skill. Did something you did make someone angry? If you offended or hurt someone, you now know how to avoid doing that in the future. But if you made someone feel something about the story or characters, you now have a skill that you can hone and use as a tool at a better point in the story. To make people angry, sad, happy, uncomfortable, or in any way emotional when looking at your work is a skill that few have because we’re so used to beating it out of our work. Many people compensate for this by adding shock value. You can learn to do it with emotion.

STEP 4: Dealing with rejection

To become a good artist:

Find out where art like yours is being published. Submit to them! Rejected? That’s too bad! Try again! Send them your new stuff every year! Never give up! One of these years, it will all work out!

To become a great artist:

Getting rejected is great! When you get a rejection letter, you aren’t losing a job, you’re gaining one. Finding a venue and an audience is now up to you, which is great, because if you’re successful, you’ll be the one getting rich from your work. All of those places were created because someone needed a new place to put a different kind of work. You’re now in the same boat.

STEP 5: Building a career

To become a good artist:

After a lot of practice and study, take all the advice people have given you, follow their lead. Make something you know will be successful, put it in all the right venues.

To become a great artist:

Do it wrong. Don’t do it right just because of all the people around you who say ‘that’s not art,’ ‘that’s not music, ‘there’s no money in that,’ ‘it’s not a real book unless it’s in print,’ etc.  Some of those people will be your heroes. Every generation hates the next generation’s music. Every generation of artists thinks the next generation are hacks. Following the leader is a good way to make art that pleases people in the moment, but doing something that breaks all of the rules is the way be the leader and make something historic. Tell a story only you can tell in a way only you can tell it. When you see a piece of new technology, a piece of ancient technology, an interesting bit of trash on the street and think ‘I could put art on that’, then put art on that. You’ll be reaching new people in places no one else is even trying. There’s no money in ANYTHING until someone puts something great on it. When someone tells you you’re doing it wrong, that’s your clue that you’re doing something that could change all of the rules, and a few decades from now, your style will be the one someone’s drilling into a beginner’s head, and that beginner will be coming to you for advice. Feel free to tell them what you did right, but be sure to also tell them: Do it wrong.

I’ve always subscribed to the manta, do that thing you wanted other people to do but they aren’t doing. But this is pretty good too.

“Failure” has become one of my favorite words lately. Why?

I run into this mentality from self-proclaimed “non-artists” all the time and they ask me how I do it. The common denominator is always something like “if I know I won’t be able to get it just perfect on the first try, I might as well not try at all”.

Except the terrible secret here is that MOST EVERY HUMAN IS CAPABLE OF DRAWING. Illustration is no different from written language in the sense that it is something you have to work at and learn. It IS, however, different from language in that drawing is not given the same academic attention K-12 so only people who work at it on their own (or have so-called “talent”) end up progressing past a basic level. Then when they see someone proficient in drawing, non-artists are in the same position as someone who is ILLITERATE. That is what they are feeling.

But once you recognize the situation as it is, you can take two different approaches. Either decide you can live your life without that form of communication and make peace that (instead of feeling bad about it). OR realize that drawing is like the 6th sense of academic subjects, it can be learned just like any other subject if you try. If you can operate a computer well enough to read this, than you have the capability to draw!

So if you want to get better at drawing, FAIL FAIL FAIL FAIL FAIL. Draw the word “FAIL” in nice big ornate letters and frame that sucker. Then start practicing and experimenting and doing trial-by-error to accomplish whatever cool visual ideas you cook up in your head. Two of my favorite quotes on the subject which form a wonderful motto:

“Failure is proof that you’re trying” so “Fail your way to success”

(via junosunderland)

09 12 / 2012


Marchesa Spring/Summer 2011

Marchesa Spring/Summer 2011

(via bmoburns)